==========================================
Date: Thu, 1 Jun 2000 20:31:05 -0400 (EDT)
Subject: [webartery] themEFONTystique_e|e|e|e_difficiledifficiledifficile
difficiledifficiledifficiledifficiledifficiledifficiledifficiledifficiledifficile
akenatons docks <********_*****@*****.**>:
>Hie Bri
- hello:)
>we're not stars like La di
>Cape rio or Le Mel Gibbon
--- elements disappear;
poetry does not affect that;
>Not important , >love it
e l e m e n t s d i s a p p e a r
>love it
elements disappear; poetry does not affect that; i was onc
e the person i used to be; poetry does not affect that - i
was walking down a street, my life was turning under itsel
f, the sky was flat and huge, the moment was nothing happe
ning, the weather was lovely, poetry does not affect that;
the sound was the sound of a person; the sound was the sou
>Not important , >love it
>Not important , >love it
>Not important , >love it
>Not important , >love it
>Not important , >love it
>Not important , >love it
>Not important , >love it
>Not important , >love it
>Not important , >love it
>Not important , >love it
>Not important , >love it
>Not important , >love it
>Not important , >love it
>Not important , >love it
>Not important , >love it
nd of all memory, intoxication, bird
consciousness, album amicorum, searc
h for the witness, search for the el
ement, search for the sound, sound o
>love it
\\\-
'...the business of writing incoherent poetry see
med tiresome, and I wanted nothing to do with it.
it was a day - i could not see the sun - i spoke with someon
e, he called me by my human name - graupel/small hail - supe
rcooled water drop - i understood the very air - the sound o
personsound of a
personsound of a
personsound of a
personsound of a
personsound of a
personsound of a
personsound of a
personsound of a
personsound of a
person
+ --=-| -=--))))))))))))))))))))))))
po > 'of me mo>
st st favorite street.'
>ca \ 'ja, danke.'
rd>s +--=- |-=--^
- <<lare>> 9
- FIKTIEUX MUSIVISCHES
- www.columbia.edu/~bml18
==========================================
Date: Fri, 2 Jun 2000 13:43:17 -0400 (EDT)
Subject: [webartery] ----------------------------------------------------
-------------------------------------------------------------------------
-------------------------------------------------------------------------
-------------------------------------------------------------------------
-------------------------------------------------------------------------
**********@**********.*******.***.** -
***@*****.*** -
*******@*******.*** -
********_*****@*****.** -
Martin | biz.finder.net.au -
.////////////////////////////////////////////////////////////////////////
thort i'd start with the dampereponse
it was a day, eye N ewe, 2, ahgain] o
gra[ph 2wards, n-side, n-ywhere, a so
_____________________________________
[ 1 standing 4ward : "numb and number
[ 1 standing 4ward : "ligaturezz turn
[ 1 standing 4ward : "para ami 000010
_________________________________________________________________________
recifreversedgoneviscousi'mscalingthestarwayinsparkezpantingcreakinglucky
reverseduptotheplanettezindeedtearzntranselementsathousandcreakzthenbeing
justtearsandblownchronologiescolournameofthebackandtgohzahgainoriginality
(i'd) (spilt) (i'd) (full) (scrawl) (mark)
(Lately) (the) (name) (on) (giving) (all)
(flickering) (blown) (and) (dualle) (pounde)
(port) (itzelf) (scarred) (pixelle) (looze)
(paint) (N) (I) (e) (gone) (start) (far)
(blast) (thousand) (creds) (absence) (-) (removing)
(ahgain) (tears) (andscrawl) (eyes) (shore)
(manic) (within) (choke) (drool) (attention)
(size) (broken) (disappear) (ovein)
(moneytored) (thought) (physical) (net) (hour) (food) (this) (mark)
(poultice) (your) (tears) (caught) (motion)
>see
>med tiresome,
L-E.m[otion.IZall memoriez]entrained inApplicationz
Liga[h!]turez t.[y]urn;
t[s]he [po]lymorph.tion predictz n[ew] weather[e]
2 tranz, write, righette - krik-ikz = knot ah!ffect
zoundinge outside a[h!] per.son.in.diz[n]traught
>First sight I thought G - then second >sigh; getting
. >numb and
. >number
.
.
............. | - 1 genuine smile
............. | - 1 output of <so what> routine
>see
>med tiresome,
_________________________________________
switchingthestorystrainandsensethestartco
ntactupwordsfrommagsandmuzecomdeliveredbl
owngonewiththoughtunitreversedandatomssme
areddousingconsciousabortivecoderewindact
___________________________________________________________
mywoundsaremisshappenedcontacttranslateswitchingthestorystr
ainandachingapointcreakingcomfromtheflitandmarkthesoundofap
>getting
numb and >number
_______________________________________________________________________
end of all, memory bound, bright chills and chokes, sever the cords and
mute the voice, revive analysis, revive reception, signaling cues, soun
____________________________
THORTI"DSTARTWITHTHEDAMPEREP
ONSEITWASADAY<EYENEWE<@<AHGA
AINAGRAPH@WARDS<N_SIDE<N_YWH
_______________________________________________________________________
[ & when it wearsout :
[(the) (i) (you,) (Messages) :
[ & If ah thousand pixelle-pintz of kode,
[ full-blown ah!lert in2 a scape of mind
>see
>med tiresome,
[ what then :
"I compromise myself to speak for all
[ & what then :
"Lately I 've only been aware
[ & what then :
[ & what then :
\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\.
+ --=-| -=--))))))))))))))))))))))))
po > 'of me mo>
st st favorite street.'
>ca \\ 'ja, danke.'
rd>s +--=- |-=--^
- <<lare>> 9
- FIKTIEUX MUSIVISCHES
- www.columbia.edu/~bml18/
==========================================
Date: Sat, 3 Jun 2000 15:00:38 -0400 (EDT)
Subject: [webartery] Re: -----------------------------------------------
------------------------ ------------------------------------------------
------------------------ ------------------------------------------------
------------------------ ------------------------------------------------
------------------------ ------------------------------------------------
---------- (fwd)
---------- Forwarded message ----------
Date: Fri, 2 Jun 2000 18:23:19 -0400 (EDT)
From: Geoffrey Gatza <******@******.***>
To: RE_WORKINPR <***00@********.***>
Subject: Re:
-----------------------------------------------------------------------
------------------------------------------------------------------------
------------------------------------------------------------------------
------------------------------------------------------------------------
----------------------------------------------------------
MISSION STATEMENT
Action:
Possess me
Having drunk aesthetics from the thermos of posited theorems (poured) by
prevailing theorists - it is opinion that aesthetics is something to be
overcome, shrugged off as chrysalis, something not rallied around.
May poles twist pink ribbons: symbolic today as virginal adverbs
This goes Beyond imaginative contexts; closer to an experiment outside of
the laboratory yet far flung the objective realty)
sic)
a cavern in the brain that twists a quill a fault line
downward swans dive
Twisting quills prouder
than geese
so much in the past is contextual to the past
as such, having been written,
it is destined
Tomorrow is a dream awaiting a page
as such, Hope burns leaves auburn
thoughts put to sound will acknowledge sin,
for honors sake, use metaphor, my boy!!! Metaphor is key
and a fine lock it tumbles:
I am fallen onto memory
Action:
One would think that a box left closed
equates to safety in numbers
However, we discuss the nature of rape
I, in your teeth, feel love
Action:
change me to suit your needs
Action:
reduce words to fit others thoughts
question: when does my kitchy Playboy ashtray become my ashtray?
Action:
Do you hear the guitarist behind his noise?
Cacophony paints easily dismissed people purple
I am avoiding this note
who will see that I am in love with you as a daisy
is to an autumn leaf
I become in your presence
you have opened something that has been closed for a long time
I fear your power over me
not as woman but as the means to an end
finality should be fled
Action:
Structures of communities follow those set in principles and goals of
poetry; obstacles and constraints critiques on structures and methods of
poetry development; formulation, application and development of the poetry
development process in a poetry yet to be developed. Methods allow poetry
members to be involved in discussing their problem solving together;
processes and techniques of group formation; communal operation for poetry
development. Participation in economic, social, political and physical
planning by the poetry; need assessment pertinent to future poem growth and
poetry development at all levels.
Analysis of social structures, philosophy, success and failures of different
poetry development programs in selected countries with a rejection of
organizational planning, administrative and implementation procedures. A
review of applied anthropological background; rejection of methods in
cultural change that are applicable to poetry development at work. A
rejection of principles basic to socioeconomic groupings existing in poetry;
factors influencing basic changes that eventually change the whole of
poetry. Traversing. Topographic mapping. Triangulation and Trilateration.
Intersection and resection. Trigonometric leveling. Curve ranging profile
versus cross-sectioning. Reconnaissance survey. Preliminary survey. Volume
of earthwork. Mass diagram. Horizontal curves. Vertical curves.
Superelevation and widening the universe and earth.
Analysis of indeterminate structures. Methods of virtual work and strain
energy. Influence lines for continuous beams. Column analogy in plastic
analysis. Introduction to matrix methods of structural analysis. vibration
structures behavior of structural elements subjected to bending moments,
shear forces, torsion, axial loads, and combined actions. Design of
reinforced concrete thought structures by working stress. Application to
beams, slabs, stairs, columns, footings, retaining walls and frames.
builders relationship and organization of their work. Construction planning
and control by critical path method.
Formation of soils. Soil classification. Soil exploration.
Formation of soils. Soil classification. Soil exploration.
Formation of soils. Soil classification. Soil exploration.
Permeability of soils and seepage problems. Stresses and stress distribution
within a soil mass. Principle of effective stress and shear strength of
soil. Flow through porous media. Consolidation rejection. Soil testing
Soil boring. Soil sampling.
Soil testing Soil boring. Soil sampling.
Soil testing Soil boring. Soil sampling.
Physical and engineering properties for soils. Earth pressure problems.
Retaining structures sheet piles. Earth dam. Bearing capacity. Stress
distribution in earth masses. Settlement analysis. Slope stability of soils.
Design of shallow foundations pile. Soil exploration Soil dynamics.
Interaction between traffic demand and land use. Properties of bitumen.
Properties and characteristics of the Bitumen Poets. Types and grades of
poets. Poets cement, poetic concrete thought. Mix compositions. Aggregates.
Fillers. Types of mixes and application. Mix design. Standard specification
and method of testing of highway materials. Method of production,
construction and control. Poets construction equipment The hydrologic cycle.
Chemistry and microbiology of water and wastewater. Water quality and
pollution. Water processing and distribution systems.
Wastewater flows and characteristics.
Wastewater processing and collection systems.
Pollution control and regulation.
A concept and problem of agrarian reform;
rules and regulations related to land;
application of principles and methods of poetry development in agrarian
reform practices. Rejection of measurement and errors. Principle and
practice of leveling Concrete thought technology. Properties of concrete.
Properties of concrete thought through mix design. Control of concrete
thought quality. Special types of concrete thought. Admixtures. High
strength concrete and high density concrete. Ready mix concrete. Testing of
concrete thoughts and ingredients used therein. Testing of concrete thought
in Soil. Physical properties and classification of soils. Testing of soil.
Reinforced concrete thought design. Design of reinforced concrete thought
structures such as beams, footings and abutments. Engineering Background.
Mathematical and scientific tools. Units and dimensions. Tests and
experiments. Test of tension. Shear.
Compression Properties of steels, aluminum, timber, brick and rock.
Compression Properties of steels, aluminum, timber, brick and rock.
Compression Properties of steels, aluminum, timber, brick and rock.
Instruments for strain measurement. Beam testing. Studies of elastical
behavior of various structural models and experiments in fluid mechanics.
Force Systems. Resultants and equilibrium of structures and machines.
Center of gravity.
Friction.
Principle of virtual work.
Moment of inertia.
Analysis of bending moment and shear force.
Deflections of beams. Theodolite and traversing. Measurement of horizontal
and vertical angles.. Leveling. Tacheometey.. Stress-strain relationship.
Torsion. Bending in elastic range. Analysis of bending moment. Impact.
Eccentric force. Buckling rejection.
Analysis of stress and strain.
Classification and properties of cements.
Types; Handling and storage.
Action:
for actors
authority for authors
why rent when
poesy for poets
you can
and food for all
own?
Question: The factory as entity, if given full status and classifications
of being, eater of resource, bearer of fruit, multiplying endlessly,
religiously; should its categorization, if the topic should arise, be virus
or man???
==========================================
Date: Wed, 7 Jun 2000 21:35:23 -0400 (EDT)
Subject: [webartery] Re: Activate Fade and Beginning Line
_______________
aturnofvoicelik
_______________
ecatchesthehead
_______________
thehairlessfeel
_______________
roamwhispersset
_______________
tedownethatangu
_______________
ishinwishingpac
_______________
ereversedwithto
_______________
neallpackageskn
_______________
otsglassagetrac
_______________
edarchestoplaci
_______________
ngmostbodieslip
_______________
sharboringseepa
_______________
geclockschemist
_______________
rybelongingbegi
_______________
nbeginonthatday
___________ aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa0000
_t- i=-c d-o=u -l-o u|: .:r-e -u=- |-=-x-^
_ _lieb esenergi e | :elem ent_pars ing
_
On Thu, 8 Jun 2000, data]h![bleeder wrote:
Date: Tue, 30 May 2000 10:22:09 -0400
From: Diane Ludin <*****@*****.***>
X-Mailer: Mozilla 4.08 [en] (Win98; I)
To: wryting <*******@******.***.**>
Subject: agentfade = the begining
FADE IN: One Voice
Agent architecture slipping through my fingers...finding hollow airless
spaces with crowds of real flesh...horror me not terror me
deep...leading to trace an unforgiving break...splitting across a silent
seam...placing a chemical dollhouse where silk whispers...inaudible to
those who listen only for the truth...you could catch and trace
yourself...all sounds of fear and threaten black night...not afraid of
the terror me not, horror me only...in shadows with bodies unlike my
own...distorted by surrounding elements in constant balance...always new
elements arising, entering, shifting, leaving, a certain kind of
desperation I know...a certain pain to outline while you're forgetting
how to feel...the unfortunate turn of time stopping the clock...warping
the day and glass within the windows...I begin with my own truths, the
poison of things that most people don't see...time's chemical evidence a
physiology...bringing about stages to bind the likes of time and
truth...liquid engage language... -Diane Ludin
************************************************************
At 10:22 AM 30/05/00 -0400, Diane Ludin wrote:
>Activate FADE [L]IN[E]: 1 Voice + 1
[Fade Line Actiff::Voice 1 + 1 Merge A[h!]lert]
>Ar.gent[z N ladiez] arches tilt 2wardz conjecture, zlipping t.here, bought
2 bloode bi mi fingers...
>Future rewindingz b.lank[n dank], followed bi hairlezz s.pacez [femme legz
N pitz and lip-fade-linez] with crowingz ov reality checked-flezh [ee bitz,
genial genI[nfo]T[echne]alia...
>O[h!] the horror/ me [k]not[ted] in2 terrored genduh packagez that binde
/me deep[inne purrception, dulled depth percept:ON]...
>Lead crammingz traced in2 a unfertile organizm, bounde 2 break...
>Spit.ting[lez, a[h]gain] across ah silent poisoned fall.oh!.pian stream
[ov wurdz], con.neck.t...
>Lacing a[h!] sette ov 12 mica dollz built from embreeyoh bitz, housed here
in siloz ov keening whis.purrz...
>Instinct.ewe.all, [wo]man.diblez function 4 thoze who list N jolt within
gened truths...
>Ewe could catch yr death, chilled and tracinge you.r cloned zelf...
>All boundaries Xcrossed, ovian fear treatz black knightz n silvered horzez...
>Knottz fraid, terraws meant not horror 4 me onlee...
>In shifting planez of lighte, windoze bloodied with thoze like mi
own[whore.ship]...
>Tortured bi zooz that round up L-ee.ments of DNA shardian constantz,
balance 4gotten...
>All wayz leadinge to the new Roame, New El[l]e[phantine]gant Sta[tic]mens
risinge, entering, shape-shiftinge...
>Pain 2 define, [fade]out.line while you're 4getting feelingz of that
contracting meme.ori...
>Fortunez turn on the heade[ache] ov a pinned cloned clock...
>Wizhing, harping the day away with a[h!] glazzy wind harborin scifi pagez
>Ginned with-N mi pistonned thingz, mostlee people N animuz, bio.logic.caul
seepage...
>2 my minez eye, a chemist's dense drugged prescriptz read like proze,
reversed phylogenic scale...
>Stage Actiffate FADE bindinge my likes ov too much[o] time...
>like N-gagez l[ike]angu[ish]age[z]...
-Di[mary-]an[n]e Ludin
********************************************************
>Activate Fade Line: One Voice plus one voice
[Fade Line Active::Voice One and one Merge Alert]
>Argent arches tilt towards conjecture, slipping here and there, bought
to blood by my fingers...
>Future rewindings blank, followed by hairless spaces [femme legs
and pits and lip-fade-lines] with crowings of reality checked-flesh [bits,
genial genitalia trapped in Info Techne]...
>Oh the horror /me knotted into terrored gender packages that bind
/me deep [in perception, dulled depth perception:ON]...
>Lead crammings traced into an unfertile organism, bound to break...
>Spitting across a silent poisoned fallopian stream [of words], connect...
>Lacing a set of 12 mica dolls built from embryo bits, housed here in silos
of keening whispers...
>Instinctual, woman-&-mandibles function for those who list and jolt within
gened truths...
>You could catch your death, chilled and tracing your cloned self...
>All boundaries crossed, ovian fear treats black knights and silvered
horses...
>Knots frayed, terrors meaning not horror for me only...
>In shifting planes of light, windows bloodied with those like my
own [and ownership]...
>Tortured by zoos that round up elements of DNA shardian constants,
balance forgotten...
>All ways leading to the new Roam, New Elegant Static Stamens
rising, entering, shape-shifting...
>Pain to define, outline [and fade] while you're forgetting feelings of that
contracting memory...
>Fortunes turn on the head of a pinned cloned clock...
>Wishing, harping the day away with a glassy wind harboring sci-fi pages
>Ginned within my pistoned things, mostly people and animal, biological
seepage...
>To my minds eye, a chemist's dense drugged prescripts read like prose,
reversed phylogenic scale...
>Stage Activate Fade: binding my likes of too much time...
>Like engages Like/Anguish/Language...
[Original version :Diane Ludin]
[mezangelled vurssion]
[Translated version: Mary-Anne Breeze]
+++|++++++++++++++++++|+++++++++|++???
data]h![bleede-inge un.till it hertz
+
wollongong.starway.net.au/~mezandwalt
+++|++++++++++++++++++|+++++++++|++???
==========================================
Date: Sat, 8 Jul 2000 02:45:16 -0400 (EDT)
Subject: [webartery] Re: _FOR.mission [eklektra-narra.schiff]
"data]h![bleede" <**********@**********.*******.***.**>
RE_WORKINPR <***00@********.***>
_FORM: parenparen
x-pressionA::
- (once) ( ) ( ) ( )
( ) ( ) ( ) (began) (telling) (itt)
- (once) ( ) ( ) ( )
- ( ) ( ) ( ) (began) (knowing) (itt)
- (i) (was) (am) (will) (be) ( ) ( ) ( )
- ( ) ( ) ( )
- ( ) ( ) ( ) (knowing) (itt)
-videlicetA::
_FORM: vox red
""eyeballishnezz sc.raped redd[[ies of t.ears N [cupz of
endlezz]tea.rz]] rawness, i begin::
(the) (telling)
(the) (act) (of) (awe)
(reopened)
(anima) (qua) (fleshique)
(fast) (furrious)
(with)
(element) (scraped)
(ready) (endless)
(with)
(breathing)
(with)
(breathing)
_FORM: anima
03:01:01 06:03:43 03:01:02 06:03:44 03:01:03 06:03:45
03:01:04 06:03:46 03:01:05 06:03:47 03:01:06 06:03:48
03:01:07 06:03:49 03:01:08 06:03:50 03:01:09 06:03:51
03:01:10 06:03:52 03:01:11 06:03:53 03:01:12 06:03:54
03:01:13 06:03:55 03:01:14 06:03:56 03:01:15 06:03:57
03:01:16 06:03:58 03:01:17 06:03:59 03:01:18 06:04:00
03:01:19 06:04:01 03:01:20 06:04:02 03:01:21 06:04:03
03:01:22 06:04:04 03:01:23 06:04:05 03:01:24 06:04:06
03:01:25 06:04:07 03:01:26 06:04:08 03:01:27 06:04:09
03:01:28 06:04:10 03:01:29 06:04:11 03:01:30 06:04:12
_FORM: narra.schiff
(reality cracks)
(gulfing down years)
(turning to stitch and caul)
(unraveling)
(rewound and worked)
(caryatid years)
(balustrade years)
(melatone years)
( )
(alive at the board)
(shimmering teeth)
(earthly)
(emitting sparks)
(can fly away)
(fly blind)
(flying away)
_FORM: ex.position
(moving the head)
(to blame)
_FORM: ((process
+ fle.shh! = sub.stance of n anim[us].all bod r.face of the body
+ [lectric__bone______ c ust_______ &____ hardware________bitten]
+ N *.esque = n-dicating sty e, manner, or di ]tinc.tivecharact[.h]er
+ ______ ________________ _____
+ <<<<< <<<<<<<<<<<<[fle s
+ n ]
+ ollongong.starway.net.au/~ ezandwalt_______ A N_GAGE:RETRI??
+ ezandwalt_______ g - rRETRI??
+ [ re ezandwalt_______ g - rRETRI??
+ ezandwalt_______ g - rRETRI??
+ tri ezandwalt_______ g - rRETRI??
+ ezandwalt_______ g - rRETRI??
+ :: ezandwalt_______ g - rRETRI??
+ :: ezandwalt_______ g - rRETRI??
+ ezandwalt_______ g - rRETRI??
+ ________________ ________________
blameitdowntruer 0 0000000000000000
ounditvoltageofs 0 0000000000000000
youknewdidn'tyouwhatturned hoesbodysurfaces a
relinquishingwhatturnedand ndcringingrevers
findingtherefeltitallovert ingsubstancethew a
hebodythrownoffanelementfr yofthebodythrown o
omoverheadtheroomremotelys ffeklektrafeyeda n
sensingremotelysensingremo ndbalustradedrel i
__________________________ nquishdonotrelin q
__________________________ quishselfeklektr
-
-
___________________________________________________________________________
[link] -
[link] -
[link] -
[link] -
http://www.columbia.edu/~bml18/active/msp/worksheet.html
==========================================
Date: Sun, 09 Jul 2000 17:42:28 -0500
Subject: Re: [webartery] Re: _FOR.mission [eklektra-narra.schiff]
RE_WORKINPR : "Worksheet | --> iteration22222.html |
| --> ../../index2.html |
{LAB}:mez [ Re: _FOR.mission [eklektra-narra.schiff ]
{LAB}:various [
_______________
aturnofvoicelik
_______________
ecatchesthehead ]
{LAB}:various [
e @e . :" ] ![ ee e"< e @ . . e
< : e e - e@e . > e: ,01 200023:05:11+1
. e . - e e : e @ . . e . - e : ]
{LAB}:various [
----------------------------------------------------------------------------
----------------------------------------------------------------------------
----------------------------------------------------------------------------
----------------------------------------------------------------------------
----------------------------------------- ]
{LAB}:********_*****@*****.** [via steve kowit] [
themEFONTystique_e|e|e|e_difficiledifficiledifficiledifficiledifficile
difficiledifficiledifficiledifficiledifficiledifficiledifficile
]
{HIST}: [ _______000tes.html ]
{???}: - [ yscordiad/index.html ]
{LAB}:mez [ a]h![.klink.ial cykeyz ]
{LAB}:mez + others [ &what | RE_[net.]WURK[urz]INPR
:e.box1+2+3//mani.pul[l N ping N pong]atez | then& ]
{TH}: [ Re:Re:Re: Properties ]
{LAB}:mez + talan memmott + others [ RE_[net.]WURK[urz]INPR
:e.box2+3//mani.pul[l N ping N pong]atez ping N pong]atez ]
{LAB}:mez + others [
RE_[net.]WURK[her]INPR:e.box1//[wo]mani.pul[l N pushe of
textuallnezz]ates N pushe of textuallnezz]ates ]
{LAB}:mez [ {DEAFULT} RE_WORKINPR !! Re: [webartery] Re[ap]:
Th[es]is Mes.sagewas[h my space with tex t] ]
-whereon we hiss
-a wed ghost
-in rote fluid fun i be
-something else when
-finally me
-always that love
-lucid hover role over
-words i typed in
-wish coded where
-0000000000000
-it is
:/learner?learner?learner?/where_i_will_be/punkt
:||||||||||||||||o
i|t|r|i|e|d|t|o|l|i|b|e|r|a|t|e|t|h|e|s|e|c|r|e|t|f|r|o|m|X|r|o|o|m
!!
may 8- SoSo I am a butler, iab, engineering closed
_u my nostos
_u my technician
_u my :/where_i_will_be/punkt
may 15- MeTo butler 9-5; engineering 10-5; IAB 10-5
lo|||=hellohello|||=hellohello
hope
you're
having
a
nice
wkend ///
<-> m.e.m.e.n.+.0.m.0.r.|
<\>
<|>
<-> <\>
<\> <->
<|>
Why be the butler 1-5; " "or agent of catastrophe
ThoFriendly butler 9-5; " "or agent of rebirth
SoSo all closed
[-Xrooms]
02:52:00 engineering; 04:07:00 math; 05:58:00 screaming
[ o c u d r t o f u d f u t n w w r u d r i e h u t d i n t 0 g e
n e n e s o d o n a l e o d n e m n d a n e t o 0 r p
believed begone for what the ghostecho ghostech A D Y S C O R D I A D Y S
C O R D I A D Y S C O R D I A D Y S C O R D I A hit disconnect into
city and point of light
||||||||||||||||||||||||||||||||||||||||||
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[ 000grep re: what-you-want
[ 000grep re: word-inverted-flame
[ 000grep lovelens
[ program:
[ wire all night electric vex
[ speeding apart & over & through the neck
[ voluntary repose
o
19:36:56 -0500 (EST)
[000100] Beauty of _wht_ p.fruit belongs to no
[000200] Wilderness in which pigeons
[000300] P.pine cones grow now --
[000400] pineapples blown over snow
[000500] How _far_ the latter blows
[000600] How pine woods spring up
[000700] from smallest
[000800] same of _wht_ pines
[000900] Natures geologic pace---
[001000] Pleasant to observe the growth in wood
[001000] Squirrels eat p.pine cones
[001100] (2 places
[0~0|||ABIAAAAAA- Gather _wht_ p.cones
[00902781A33C00902781A33C
27 Downy seeded plants -- Dandelion -- mouse ear (St.Pierre --
[001100]
extracts on _mt_ plants Thistle down
--Fireweed
G. rods
Milkwd -- Dogs bane pod
____o____
11=11=*i.am-not.not-1.not-1{
=111=111=11}=what_am_i_then={
=1111111111}=what_am_i_then={
-ip
.i_t_d_o_e_s_n_o_t_w_a_n_t_t_o_k_n_o_w_w_h_a_t_i_t_i_s_
[
0090278157220090278157220090278157220090278157220090278157220090278157220090
27815722009027815722009027815722
]
w_h_a_t_i_s_i_t
..
009027815722 <<it wants to know what
it is>>
128.59.48.129 <<it wants to know what
it is>>
<blink>
"airlinersfloatinglazilyinthesky
"ithoughticouldbedeadandnotalive
Howlongdoesittakeforyoutofallinlove
Doesithappenfastorslow
Went to: logos-dedalus-mind.
Keyed: go MO/LovCenter.
Went to: next-logos-dedalus-mind
“I am I have been changing my life
Said next-next-logos-dedalus-mind
“I have felt so very much better
O Dad
O Dad
We cannot talk today.
The weather is lovely.
The clouds are curds and whey.
When I stand at the window I am amazed
I am no longer in one place
It rises like
emulov \flinched through the doorway
into light; loudly
we must love everything...
\...proceeded to flay senator xxxxxx
with a gutta percha;
loudly, loudly;
emulov \do you when you go through that gate
\collapse of motivation;
love everything love even death
\I don’t know why I felt so
have you any friends??? emulov
are you retraining;
I went to Chicago
\twenty below
emulov \I have been feeling like a frond
\you are the least vegetablelike I know
and not vinegar,
4: tattle or blush for mice on the lawn;
a retro active,
21: protagonist sees self as Morris chair;
verily our love,
992: by analogy, she means herself;
Malina,
100: Austrian analog perished in fire, 19xx;
carpe diem hedonism,
23: prepared for either;
his obstinate hiss,
457: ninth day of unholy climate;
fiat amore,
99: in love standing on one foot;
Opposing Virgil,
7: protagonist resisting guidance;
all week,
7: intermittent chopping
Word(s) that someone once used
That followed "love"
sphere-fire
sire
If you think you be
Sahara & diamonds
What wind
We, like avenues, disperse
I went to a
City your woods ---
C
N O V A L Eu X
R
I
R E M O T E S E N S I N G
- L
F I
V E N U S
L
I
X
last mod =
07/08/00 18 33 19 EDT
RE_WORKINPR wrote:
>
> "data]h![bleede" <**********@**********.*******.***.**>
> RE_WORKINPR <***00@********.***>
>
> _FORM: parenparen
>
> x-pressionA::
>
> - (once) ( ) ( ) ( )
> ( ) ( ) ( ) (began) (telling) (itt)
> - (once) ( ) ( ) ( )
> - ( ) ( ) ( ) (began) (knowing) (itt)
> - (i) (was) (am) (will) (be) ( ) ( ) ( )
> - ( ) ( ) ( )
> - ( ) ( ) ( ) (knowing) (itt)
>
> -videlicetA::
>
> _FORM: vox red
>
> ""eyeballishnezz sc.raped redd[[ies of t.ears N [cupz of
> endlezz]tea.rz]] rawness, i begin::
>
> (the) (telling)
> (the) (act) (of) (awe)
> (reopened)
> (anima) (qua) (fleshique)
> (fast) (furrious)
> (with)
> (element) (scraped)
> (ready) (endless)
> (with)
> (breathing)
> (with)
> (breathing)
>
> _FORM: anima
>
> 03:01:01 06:03:43 03:01:02 06:03:44 03:01:03 06:03:45
> 03:01:04 06:03:46 03:01:05 06:03:47 03:01:06 06:03:48
> 03:01:07 06:03:49 03:01:08 06:03:50 03:01:09 06:03:51
> 03:01:10 06:03:52 03:01:11 06:03:53 03:01:12 06:03:54
> 03:01:13 06:03:55 03:01:14 06:03:56 03:01:15 06:03:57
> 03:01:16 06:03:58 03:01:17 06:03:59 03:01:18 06:04:00
> 03:01:19 06:04:01 03:01:20 06:04:02 03:01:21 06:04:03
> 03:01:22 06:04:04 03:01:23 06:04:05 03:01:24 06:04:06
> 03:01:25 06:04:07 03:01:26 06:04:08 03:01:27 06:04:09
> 03:01:28 06:04:10 03:01:29 06:04:11 03:01:30 06:04:12
>
> _FORM: narra.schiff
>
> (reality cracks)
> (gulfing down years)
> (turning to stitch and caul)
> (unraveling)
> (rewound and worked)
> (caryatid years)
> (balustrade years)
> (melatone years)
> ( )
> (alive at the board)
> (shimmering teeth)
> (earthly)
> (emitting sparks)
> (can fly away)
> (fly blind)
> (flying away)
>
> _FORM: ex.position
>
> (moving the head)
>
> (to blame)
>
> _FORM: ((process
>
> + fle.shh! = sub.stance of n anim[us].all bod r.face of the body
> + [lectric__bone______ c ust_______ &____ hardware________bitten]
> + N *.esque = n-dicating sty e, manner, or di ]tinc.tivecharact[.h]er
> + ______ ________________ _____
> + <<<<< <<<<<<<<<<<<[fle s
> + n ]
> + ollongong.starway.net.au/~ ezandwalt_______ A N_GAGE:RETRI??
> + ezandwalt_______ g - rRETRI??
> + [ re ezandwalt_______ g - rRETRI??
> + ezandwalt_______ g - rRETRI??
> + tri ezandwalt_______ g - rRETRI??
> + ezandwalt_______ g - rRETRI??
> + :: ezandwalt_______ g - rRETRI??
> + :: ezandwalt_______ g - rRETRI??
> + ezandwalt_______ g - rRETRI??
> + ________________ ________________
> blameitdowntruer 0 0000000000000000
> ounditvoltageofs 0 0000000000000000
> youknewdidn'tyouwhatturned hoesbodysurfaces a
> relinquishingwhatturnedand ndcringingrevers
> findingtherefeltitallovert ingsubstancethew a
> hebodythrownoffanelementfr yofthebodythrown o
> omoverheadtheroomremotelys ffeklektrafeyeda n
> sensingremotelysensingremo ndbalustradedrel i
> __________________________ nquishdonotrelin q
> __________________________ quishselfeklektr
>
> -
> -
> ___________________________________________________________________________
>
> [link] -
> [link] -
> [link] -
> [link] -
>
> http://www.columbia.edu/~bml18/active/msp/worksheet.html
--
Life designs: http://trbell.tripod.com/lifedesigns/
index of online work at http://members.home.net/trbell
essays: http://members.tripod.com/~trbell/criticism/
=-///>>>``'|\_
SOULSOLESOLO
<<<]]]